世间安得双全法,不负如来不负卿
“世间
安得双全法,不负如来不负卿！”
整部电影最感人的地方，来自六世达赖
“那一月我摇动所有的经桶，不为超度，只为触摸你的指尖； 那一年磕长头在山路，不为觐见，只为贴着你的温暖； 那一世转山，不为修来世，只为途中与你相见.”—-仓央嘉措
（转载）仓央嘉措的野史（有闲情的人请读）：
仓央嘉措有一个称号：六世达赖喇嘛。也许听到这里，大家都会肃然起敬。但如果仅仅如此，也许我并不会动心。先来看看关于他的一段官方历史：
生于康熙二十二年，十四岁时剃度入布达拉宫为黄教领袖，十年后为西藏政教斗争殃及，被清廷废黜，解送北上，道经青海今纳木措湖时中夜循去，不知所终。
你比人还机灵
别说我黄昏出去
别说我清晨才归
这是仓央嘉措在和玛吉阿米约会时候写的文章。玛吉阿米是活佛在一次酒馆中偶遇的女子，如月亮一般美丽。这所小酒馆现在还在拉萨的帕廓街，是一座黄色的楼房，房主人以此为荣耀，黄房子三百年金色不改。现在那里已被改造成一处咖啡馆，招牌上用藏、汉、英文赫然书写着店名——“未嫁娘”。
门达旺是门隅地区的首府。在门巴人的传说中，太阳名叫“达登旺波”，意谓七匹马拉的车，达旺就是达登旺波的简称。七匹马的太阳车辚辚过处，还生长着门巴人起源的爱情故事，说的是明镜般的湖水中走出一位美男子，怎样以月亮为弓，以流星为箭，将定情的靴带射向美丽的姑娘；这里还生长着卓瓦桑姆的美丽传说，说的是天女化身的贫家姑娘卓瓦桑姆怎样与嘎拉王一见倾心，后来又怎样遭致反面人物王后的迫害，最终善战胜了恶，美战胜了丑。仓央嘉措就是在这样的故事环境中长大的。他的父亲是藏族，母亲则是门巴族人。在这藏族和门巴族聚居地，两个民族的文化相异而又交融。这是仓央嘉措的幸运，也是仓央嘉措的不幸。因为生在红教区，他向往着爱情。而黄教则是唯一一个限制结婚和情欲的藏传佛教。
与其他转世灵童不同，由于历史的阴差阳错，仓央嘉措并非自小被迎请入宫，因此他是在天籁中长大的。当年五世喇嘛圆寂。第悉·桑结嘉措作为摄政王正当其政，那个人上对朝廷下对人民隐瞒了真相，长达15年之久秘不发丧，只在私下里秘密查访转世灵童。这一事件改变了仓央嘉措人生的轨迹，揭开了他悲剧命运的序幕。如果仓央嘉措一辈子只生活在东山顶上，也许他会幸福；如果他一生下来就成为活佛，也许同样的他会幸福；可是没有。两样对他来说都是惘然。虽然藏史声称两三岁时就将他隐秘地转移并教授佛法，但民间的说法则让他一直在家乡成长到15岁。我宁肯相信后者，不然何以解释那个自由的性灵和人间情怀缘何而来。
其时西藏上层统治阶级内部关系错综复杂，明争暗斗：位高权重的摄政第悉·桑结嘉措与朝廷册封的蒙族汗王的藏蒙之间，以及蒙族人内部矛盾冲突日益白热化，局势动荡不安，正值一次政治大地震前夕。无心于政治也无心于佛身的仓央嘉措被迫参与其中，满心的厌倦与失望。他看不到未来，一切都无从逆料。心灰意冷，彷徨无倚。任凭第悉好言规劝或严厉申饬，年轻的活佛只是不思学经。
一经雨水就洇湿了
没能写出的心迹
想擦也擦它不掉
仓央嘉措的眼睛和心不属于布达拉宫。深夜的雪地上开始踏出一行脚印，从布达拉宫一直伸向帕廓街；一个名叫宕桑旺波的高贵儒雅青年出现在街头的酒肆中。虚幻的物质世界多么诱人，假如真有来世，我愿生生世世为人，只做芸芸众生中的一个，哪怕一生贫困清苦，浪迹天涯，只要能爱恨歌哭，只要能心遂所愿。
如果这样去修法
在今生此世
就会成佛了吧
戒律森严的环境和多情的内心世界、角色和天性的冲突，终于在20岁那年不可遏止地爆发了。曾为少年仓央嘉措落发授戒的五世班禅大师，五年后又该再次为之授比丘戒了。仓央嘉措依约去往日喀则扎什伦布寺，满脸的乌云密布。我们无从得知一路上他想了些什么，我们所看到的只是他的决心已定。经由五世班禅自传我们得知了结果：班禅大师祈求劝导良久，仓央嘉措沉默以对良久，然后毅然站起身来，夺门而去。他双膝下跪在日光大殿外，给大师磕了三个头，反反复复只说一句话：“违背上师之命，实在感愧”，念念叨叨黯然而去。在后来的许多天里，不仅没有转机，甚至变本加厉：不仅拒受比丘戒，反而要求大师收回此前所受的出家戒和沙弥戒。说这番话的时候，仓央嘉措痛彻肺腑：“若是不能交回以前所受出家戒及沙弥戒，我将面向扎什伦布寺而自杀。二者当中，请择其一！”
这就是仓央嘉措，惟一不再的仓央嘉措，无可奈何的仓央嘉措。他从来就身不由己，他的命运全由别人来安排。他甚至不如一个农奴还有逃亡的自由，甚至不如一个小僧也有还俗的自由。他是藏传佛教第一人，他拥有的是最多的不自由。说那番话的时候，他的心在流血吧。
从那以后，我们看到的仓央嘉措，就是一个放浪的活佛。他没有办法选择，但是他决定背叛，即使这种背叛极为危险，并且，终于成为了悲剧。回到那首诗的结局。狗遵从了活佛的意愿，然而天没有。在破晓时分，人们读着男人在雪野里清晰地印下的夜奔的足迹，那足迹急促而有力，人们疑惑，沉思， 继而惊愕。这些蜿蜒连接着布达拉宫和小巷深处的脚印， 在坦然以爱情的名义歌唱的同时，也写下了对宗教的背叛。
神圣庄严的宗教律例不可能容忍出轨的离经叛道。仓央嘉措就这样因“耽于酒色， 不守清规”而被康熙帝予以废立。年仅２４岁。
没有人知道他是怎样在监视的目光下仓惶走在逃亡的路上，也没有人知道他的卒年及准确的圆寂之地。此去无痕，有人说是在烟波浩渺的青海湖畔被水肿夺去了年轻的生命，有人说是被清朝皇帝软禁于山西五台山并圆寂于当地，有人说是在藏南一山洞坐化，又说是决意遁去，周游印度、尼泊尔等地。有一个非常戏剧性的细节，当人们迎接六世达赖的灵童的时候，大家发现灵童居然就在玛吉阿米的故乡……
庄严肃穆的布达拉宫，这历代喇嘛的驻锡地。 它以尊荣显赫的姿态永远地拒绝了仓央嘉措。在西藏的历史上，曾经一共产生过十四辈达赖喇嘛， 除却第一代达赖的灵塔在扎什伦布寺外，其它历代达赖喇嘛总有灵塔、塑像、 绘画等纪念物供奉在布达拉宫，即使人们不怎样提及的只活了十一岁的九世达赖、只活了十八岁的十一世达赖都有他们的灵塔在，然而，声名远扬的六世达赖仓央嘉措呢？塑像是不会再铸的了，壁画中也看不见他的影子，至于灵塔的安置，布达拉宫说，他？不配。
然而， 他的诗却传遍了前藏、后藏，传遍了藏北、藏南，传遍了古老的山南。传遍了大江南北。
别怪他风流浪荡
他所追寻的
和我们没有两样
这就是仓央嘉措最后的结局，三百年来我们一直传唱这首歌，只为了仓央嘉措，一个不成功的活佛，然而却是一个伟大的诗人。
读完这段回头再看他流畅轻盈的情诗，感受蕴涵其中的偷偷的喜悦，对世俗不畏惧不张扬的态度，想起三个字“不容易”。原来情诗中也有禅，不管外界多么纷繁嘈杂，心内始终平静如砥，爱情始终明澈快意，这就是爱他的理由。
让我们再看仓央嘉措最传世的一首诗：
那一月我摇动所有的经桶，不为超度，只为触摸你的指尖； 那一年磕长头在山路，不为觐见，只为贴着你的温暖； 那一世转山，不为修来世，只为途中与你相见
而“不负如来不负卿”的原诗是：
曾虑多情损梵行,入山又恐别倾城. 世间安得双全法,不负如来不负卿!
我佛慈悲！
hedgehog
Post a comment
Reader Comments (11)
兄弟，这个电影跟你的文章有关系吗？
里面唐僧在沙里写下的字就是六世达赖的诗！
也就是题目这一句，我认为整部电影除了重复的后现代解构或者说无厘头的剽窃（当然也可以说是向经典敬礼）….
I just finished my studying in a film school in HK and i m jeff lau’s fans. I have watched all of his movies, and studied the 后现代解构 or 无厘头的剽窃 for a long time.
I am sorry that I type in English since I don’t how to type simplied chinese. If you think Steven Chow’s 2 story have 后现代解构或者说无厘头的剽窃, I am sorry to say that
you better to find some film theory or books talk about 后现代解构或者说无厘头的剽窃. It just a term make you guy think understanding a movie is not easy! A movie’s basic
element is, script writing, directing, acting, art direct, cinematography and editing. A film make something 后现代解构或者说无厘头的剽窃 will do it very clear but this one don’t. In a fair view, if you think “Star War” cross-over “Jounery to the west” is 后现代解构或者说无厘头的剽窃 you may better watch this two movies or books again and again, then point out where is 后现代解构或者说无厘头的剽窃!!!
sorry i’ve no idea what are you talking about
I am sorry that both my English & Chinese is not
good. In the following chinese typing, I will
use “traditional chinese Big 5″ format for
those people & movies’ name.
At First, I watched “情癲大聖” in HK, it is
a cantonese version!
Because my English is not good, I will present my
idea in point-from.
As I have made some videos and movies in
school in the last few years. I can share my
experience in watching films and the first
hand ideas taught from the directors in HK
film industry.
In a fair view, after studying movies in school
for years, I will say: we have many ways to enjoy
and analysis movie.
1,
as a audience or reader, understanding a film
can easily divided into 3 ways:
a, (I REPLY YOUR ESSAY POSTED IN THE TOP AT HERE)
the writer’s view—director of the movie,
I READ THIS SITE BECAUSE I M LOOKING FOR THAT POEM
IN THE FILM! AND I M APPRECIATE THAT YOU DO A LOT
OF RESEARCH ON THIS POEM!
I WILL SAY, IT IS SURE THAT 劉鎮偉 KNOW THIS STORY
AND POEM, SO THAT HE USE IT!!!
A. this story is around 100 minutes, and the peom
comes out at around 2/3 of the story, it is the
turning point of the story!!! in classical film
analysis, most films is using 3-act structure,
the poem exist in the time that the 2nd act going
into 3 act!
B. in the film language, it is the only one
sentence write out from the charactors in this
movie! and the director use a formal word show
it again over-lay the original image! this only
happen once in this film, so that you can say
it is outstanding or it is a message come from
the director himself!!!
C. in a economic view, every frame of the film
is very expensive and it is no meaning to do
something meaning less or non-sense if the
director don’t want!
D. in the sense of editing, the words write
on the sands with a hand only, it is a
close-up shot, so, we don’t know who write
this sentences!!! if we watch the shots
before and after the shot which writing this
sentense, you will know it is a outstanding
scene of “情癲大聖”!!!
b,
the text’s view—the film inself only
.
I WILL TALK IN THE LATER PART, AS WE ARE MAKING
AND STUDYING FILMS IN THIS WAY.
c.
reader’s view—the reader’s personal idea
on the film.
YOU CAN GIVE YOUR PERSONAL IDEA OR FEELING ON A
FILM. IT IS NO RIGHT OR WRONG, JUST A INSIGHT!
E.G. I HAVE NEVER CRIED BEFORE WHEN I M WATCHING
MOVIE. WHEN I WATCHING A KOREAN FILM “GO HOME”,
I CRIED, BECAUSE I HAVE THE SAME FEELING LIKE THE
ROLE IN THE FILM TO MY GRANDMOTHER. I TOLD OTHERS
TO WATCH THIS MOVIE, NO ONE CRY…
2. To understand a film we better know how to
make a movie.
Basically, a movie started from script writing,
then find a director and producer join in
and find invester turn it into a production project.
3. in “情癲大聖” 劉鎮偉 is the script writer and
director, so that he can control the film more close
to his original idea. But if you think of the
production budget, it is around $100,000,000 and
the actors and investment most come from EEG, you
will know the difficulty of this movie and it’s
marketing limitation.
4. a movie can divided into 3 stage,
pre-production, production and post-production.
a, pre-production
(most work do by producer, director and script writer)
in the pre-production stage,
the script is re-write and re-write so that it is
more close to market and those actors can handle!
when the script is closed to what the investor
want, the crew will start looking for location
and calculate the budget, find technical support
in the later stage, like computer graphic, music
composer and editor.
the most immportant part is, fromed a shooting
crew: art director, cinematographer and
production manager or line-producer(if they
shoot outside HK)
after all of this stage, an original story or
script by 劉鎮偉 is turned into something
practically for making money and under all the limitation of market and budget!
some extreme case:
e.g.
1. Alfred Hitchcock can draw his storyboard
with all the details that enough for another
director can shoot the film exactly in the way
what Alfred Hitchcock want to make!
2. Diego Maradona don’t join the match of the team
which the worked as a coach, he said it is because
he did all he can do in the training, so that he
don’t need to go to watch the match!
the idea of pre-production is, you can never think
a film is a personal and independent creation!
b.
production (the most boring part of film making)
what important in this stage is, how the director
face the difficulty come from the production crew
and natural, like how to direct the actors to
preform better can close to the original idea in
this his / her mind, face the weather and other
human problem like someone got sick, or
raining so that the movie can’t finish in time
(if this lead to a huge budget difficulty,
the invester maybe stop the shooting or even cancel!)
some extreme case:
e.g.
1, when 王家衛 shooting “阿起正傳”, he NG 劉嘉玲 more than
70times for a shot 劉嘉玲 washing the floor, 王家衛
said, he NG so many times because 劉嘉玲 can’t give
him the feeling that she washing the floor for a
long time then she got tired. 劉嘉玲 can’t act that,
so 王家衛 NG again & again, then 劉嘉玲 get really tired
because of more than 70times’ NG!!!
In “情癲大聖”, what i think is not good in the film
is— the young actors from EEG can not act what exactly 劉鎮偉 want. What the case it, those young
actors never say a dialogue in the right tone!!!
if you think of the acting of 周星馳 & 朱茵 in
“大話西遊” you can find my point!!!
c.
post-production
(the part is about investment, hollywood film have
money in this part like production, that’s way their
sound and image are so fine-tuned! most of HK films
don’t have money and time in post-production)
the difference between “大話西遊” & “情癲大聖” is their
post-production!!!
Editing and sound effect can make the film totally
different from the original footages shooted in the
prodoction stage! And when you add music on the film,
the mood come out! 王家衛’s movie is very good in this
part, think of the score in “阿起正傳”!
some extreme case:
e.g.
王家衛 shoted alot footage for “阿起正傳”, as he
is a script writer himself, he can tell the
actors all the staff he think at the moment
and ask them act it out!!! so that, when 王家衛
looking at miles long footage of “阿起正傳” he
don’t know how to turn them back to a stroy!
so he ask 譚家明(so that in HK film industry,
people say that, 譚家明 is the master of 王家衛)
for help. 譚家明 edit the film with a
grounbreaking ending! and 譚家明 told us that
those slow motion in “阿起正傳” is edited into
this way, not shoted into this way!!!
Finally, I will say, I like you hardworking
on the research of this poem, and I have write
a essays about “大話西遊”的無里頭/美術指導/導演!
I have to watch the movie frame by frame!!!
and find alot of books to understand the idea
and the film!!!
一句話，我喜歡你在頂端的文章!!!
it’s a great honor that you like this story, although it’s not written by me. in my article, i have mentioned that it’s from other place. and thank you for sharing your intelligence about how to enjoy a moive.
in this movie, i am touched by this poem very much. but it not belong to the director but the poet. by the way, the post-modern or “wulitou” is not a bad way to express the distinct culture. the HK movies are good at it. we are enjoying it.
As a common audience, maybe i do not know how to distinguish and analysis a moive. i just know to enjoy the entertainment which the moive brings to me. in other words, moives are pirvate things, maybe a type of novie fit my appetite, i enjoy it very much. and some other movies make me think something terrible or boring, i will not like it.
at last, welcome to my blog and hope you communicate your idea about movies as often as possible!
Don’t be shy, and don’t be feel that understanding
movie is not easy! :>
I don’t like some movies or understand why they
are great films before I have studied somevbasic
idea on understanding films. Just go library
and find some film introduction book, you can enjoy
all the movies ten times than before!!!
4 years before, Beijing Film Academy’s Head come
to my school for a forum, he say that when he was
a film college student, he watched 3000 films!!!
I am lazy, and then I try to find some free time
besides living and studying so that finally I
watched about 1500 movies(Film, VCD, LD & video
tape) when I was studying movies.
Moreover, Henri Langlois,the funder of the world’s
first cinematheque— La Cinematheque Francias
(http://www.cinemathequefrancaise.com/), said
that: “study 300 films with heart, then you can
be a qualified director.” His famous student
included Jean-Luc Godard & François Truffaut!!!
They went to the cinema of the cinematheque
watching films everyday with their heart and
discuss with the fat old man when they are
young. This kind of self-learning make them
make their first movie groundbreaking when
they are about 26 years old!!!
Nowadays, VCD, DVD and web video are cheaper
than ever last, and you can also use your
mobile phone to shoot a video or DV camera.
Everyone can be director as everyone can be
a audience!!!
So that, don’t be shy, just enjoy the life
and find some free time to make your first
video or read more books about films!!!
You will find the reason why MOVIE CALLS MAGIC!
P.S. there is a documentary about how Henri
Langlois love films, how he protect movies in
World War 2 and how he affect different
generations people who LOVE FILMS!!!
very nice to meet a guy who loves moives very much, and i look forward to see your movie.
maybe because i am not a movie worker, so i won’t watch a movie times and times. but i enjoy the entertainment it bring to me, also the meaning it expresses.
everyday there is many new movies, and i have my own favor. also there is so many classic movies, i don’t want someone else tell me this theme is good, you should enjoy it. the natural love when i see the moive first time is most important, i think.
in other word, i don’t have enough time to see all the movies and know all the excellent work they do although i want to know because i am not working about movie.
thanks a lot for enjoying your experiences. and welcome
Give you a little fact about my own habits, I play
video game daily, usually play around 1 hours and
play a lot of games when I was young. After some
years, I don’t play most of the games anymore just
keep on play about 3 favour games with my friends!
They are football game: Virtual Striker 4, Shooting
game: 1945 & fighting game: Capcom VS SNK 2 (I play
this game for 6 years, still looking for improvement!
we have forums in HK and we invite players around Asia
to HK play the game or we go to their country to play
with them!)
For me, movie is just my study and one of my favour
habit, need not play all my time on it! But in my
history, if I like something, I will do it good. If
not, I will not pay my time on it! In my secondary
school, I usually didn’t hand in my homework or pay
attention to the teacher’s teaching. I use all the time
do what I enjoy!!!
Give you a news about Chinese films: from 1896-2005,
Chinese made around 9000 films, there is about 7000
make in HK. So, we can know that understanding HK
cinema is quit a good way to understand how Chinese
make movies compare with Hollywood system or Indian’s
Bollywood(produces about 800 each year, number 1 country in the world but the quality is…not)
Don’t think that I m show off or something like pressure
you. It is not my charactor, I will keep in touch with in this page.
The follow is a writing(in traditional big 5) which
I wrote in Year 1 about how I read comics!!!(enjoy it)
「阿采，收銀呀！」，突然聽到有人在背後呼喝，嚇得我差點跳起，只因手中捧著的《神兵玄奇》正說到問天身逢絕境，心情不免特別急張。張頭一望，隨著店員的眼光望去，只見那個阿采匆匆從便利店的另一角跑過來，匆匆一睥，只覺她背影像個初中生似的，便利店員並非在「單打」我這個正在打書釘的顧客。
手中的《天下畫集》實在畫得好，非得一筆一劃，一招一式的慢慢欣賞不可。翻著翻著，凝神間，又被店員的呼喚打斷我的集中力，「阿采，汽水上架。」只見整整一手推車的罐裝汽水送到店，一個初中小女生行嗎？阿采從店內深處走出來，咦？怎變成了個四五十歲的中年女人的模樣，難道是漫畫中的易容術不成？細看之下，阿采還是剛才那般的身影，約五尺高，短髮，從背面看，實不知身穿便利店制服的她是初中生還是中年「師奶」。
細味著《如來神掌》中「飛龍在天」威力之不同凡響，益覺黃玉郎真是畫壇的一代宗師，忍不住要抬頭舒一口氣以表敬仰！喏，怎麼阿采會在身旁的雜誌架出現？這麼重的一箱箱汽水我也搬不動啊！她又不是練就了「神掌」，哪裡來這樣的氣力呢？轉眼間便在我身邊現身，神不知，鬼不覺，輕功委實驚人！
阿采在我身旁轉了一圈，又站在雜誌架旁，這使我不其然被他的身法所迷。仔細的打量阿采一下，她足下是一對平底黑布鞋，難怪她可踏步無聲，俏然飄入我二步之內！腿上穿了一條洗得灰白的運動棉褲，使她行動更形方便，上半身那件加大碼的便利店員外衣制服，想是特意掩飾她那雙肌肉發達的手。她把便利店的大帽壓得底底的，使人不易留意到她的小圓瞼，但還是給我看到了！那雙矇著的單眼皮小眼睛，精光四射，使人不其被她目光所迷，眼角的魚尾紋很多，而且有雀斑，我留意到她燈光之下那一身黝黑的膚色，泛成了泥土色，想必是長期在戶外練功而留下的！從她粗大的朝天鼻，可知其氣功必是深不可測！雙耳穿著金耳環，不知是那一門派的信物標誌？可惜她嘴有點尖，把厚黑的唇誇大了一點，不然剎氣更大，隱隱然便有一派宗主之姿！
忽地，她竟張口對我說話，露出了兩隻金牙！帶著濃厚的鄉音使出一招獅子吼，「先生，你看兩小時啦，漫畫要俾了錢才可以看的啊！」，我啞口無言。
一招制勝，高手，高手！
行走江湖，男子漢，大丈夫，鬥智不鬥力，應該知所進退，看來今天只好敗興而歸。遇上如此高手，青山不改，綠水長流，唯有改天再來挑戰！
This is the essay I work before about non-sense film making in:
A chinese odyssey
无厘头电影原来是这样翻译的